![]() The repressed sexuality is an essential characteristic that structured the term Kafkaesque distortions, considering the historical representation of Kafka's personal experiences it is anatomized through Foucault's History of sexuality. Kafka has created the world that consists of humans who endured the pain excreted from the labyrinth of terror and menace. Kafkaesque is symbolic of mundane world that seemed complex, irrational, unjust and oppressed. The structure of power that framed the term Kafkaesque is critiqued through Foucault's work Discipline and Punishment. Kafkaesque also encompasses the sexual and political repression that lead to the acquisition of framework within which the notion of awe and menace is panopticized. Kafka's approach to the novels is censorious: he artistically left his characters in implausible situation that bring out the inexplicable reality of the modern world. It constitutes the numerous characteristics such as distortion of time and space, unavoidable sense of menace and foreboding and also the mechanism of panopticon. Fredrick Robert in his work Franz Kafka: Represented Man states that Kafkaesque is more about mysticism, unknown power and human fear. The elements of terror and awe are well developed and articulated through the characters and critical situations in which they are placed by Kafka. The term Kafkaesque inherits the confusion, distortion, surreal, absurdity and sense of foreboding. If any of these three interpretations are correct what do they tell us about the nature of life, existence, and our search for meaning? This article examines the ways in which Kafka’s The Castle, when used as a metaphor, sheds light on belief in God, political and social norms, and the human search for a homeland. The metaphor of the Castle has been thought to represent God, political bureaucracy, or Heimat (homeland), and it is my opinion all three of these interpretations tell us something about how Kafka thought of the world. ends up finding it impossible to reach the Castle, even though it appears to be so close. The protagonist of the novel, Gregor wakes up in his bed to discover he’s been transformed into a gigantic insect, or something resembling a cockroach. The narrative involves a land-surveyor, known as K., entering a strange village surrounding a large Castle. Franz Kafka’s The Metamorphosis opens with travelling salesman Gregor Samsa. ![]() The reasons for this are obvious: Kafka’s unique writing style, his interesting use of metaphor, and the religious, philosophical, and political nature of this unique story. Franz Kafka’s Das Schloß (The Castle) has been considered amongst the greatest of existential fictions ever written.
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